2026
CHZTS
Time Machine III
from one state to another I-II
2025
*Spacetime Travel II (Hall 6)
*Spacetime Travel II (Hall 7)
*Time And Machine
2024
An Absent Place
Pneumatic Pendulums (castings)
Phasianus (constellation)
2023
*Spacetime Travel
Time Machine II
Mechanical Heart
Automatic Rendering
Radio
2022
Little Dokkebi Site
The Fallen Tower
Transposition
Genesis Trilogy
This is a Real Pipe
2021
*Seeing with Closed Eyes
*Gaze into Eternity
Cabinet of Phasianus
2020
*Open Studio Brooklyn
Dreamwalker’s Paraphernalia
2019
Undiscovered Identity
SAAP
Somewhere Home
2018
Your Presence Within What is Independent From You
TAKELSD
The Symphony of Time Machine
2017
Pendulum Project
The Synthesizer
2016
LOOP
Group Exhibition ≪We May Be Separated Like Isalnd, But≫, Daegu Art Factory, South Korea
12/10/2024 - 2/26/2025
site-specific installation
What meaning can a place hold when it is composed only of objects and materials in the absence of people? And how might such a place offer an experience of space and time that escapes conceptual definition?
Conventionally, a place is understood as a space given meaning by the people who use it, marked by sociocultural values and a clear purpose. In this sense, the space and time we perceive rely on a human system of symbols and social conventions, and what we call “place” is in part an imagined construct.
This site-specific installation sets out an imaginary piece of land, covered in sand, from which the human subject has been removed. Only a few machines, moving pendulum, cast objects and fragments remain on it. The pendulum swings in random patterns, at times losing momentum or not moving at all. When the air compressor burned out partway through the exhibition, it was left unreplaced, so that no human hand would intervene in a site run by non-human forces.