CV
2026
CHZTS
Time Machine III
From one state to Another
2025
Spacetime Travel II (Hall 6)
Spacetime Travel II (Hall 7)
Time And Machine
2024
An Absent Place
Pneumatic Pendulums (castings)
Phasianus (constellation)
2023
Spacetime Travel
Time Machine II
Mechanical Heart
Automatic Rendering
Radio
2022
Little Dokkebi Site
The Fallen Tower
Transposition
Genesis Trilogy
This is a Real Pipe
2021
Seeing with Closed Eyes
Gaze into Eternity
Cabinet of Phasianus
2020
Open Studio Brooklyn
Dreamwalker’s Paraphernalia
2019
Undiscovered Identity
SAAP
Somewhere Home
2018
Your Presence Within What is Independent From You
The Symphony of Time Machine
2017
Pendulum Project (Time Machine)
The Synthesizer
2016
LOOP
Place: Group Exhibition ≪We May Be Separated Like Isalnd, But≫, Daegu Art Factory, South Korea
Date: 12/10/2024 - 2/26/2025
Format: site-specific installation
What kind of meaning can a “place”, composed solely of objects and materials in the absence of human, hold? And how might such a place offer a sensory experience of space and time that escapes conceptual definition?
Conventionally, a place is understood as a spatiotemporal marker imbued with sociocultural values and specific meanings. For something to be called a place, it must presuppose a measurable physical scope, a clear purpose, and a temporal framework often reducible to numerical units. In this sense, the space-time we perceive is inherently reliant on an anthropocentric system of symbols and social conventions—an imagined construct we call “place.”
Yet this conception is ultimately linear, limited, and incomplete. An Absent Place seeks to move beyond these boundaries by exploring a place composed purely of things and matter, liberated from social meaning and symbolic function. The work subverts traditional, human-centered notions of place, instead proposing a sensory encounter with an open, non-conceptual spatiotemporal experience.