(ENG) Hosu’s practice stems from a desire to understand time as a way of confronting the fear of death and disappearance. Working primarily in sculpture and kinetic installation, he explores how early encounters with mechanical objects have shaped our perception of time as linear, fragmented, and measurable. He is interested in the possibility of creating an alternative present by transforming the visual appearance, kinetic movement, and sound of objects drawn from my early memories.

Central to his work is a series of autonomous machines called Time Machine, which generate altered experiences of temporality. By orchestrating the motion of pendulums and mechanical soundscapes through pneumatics, electronics, and coding, he momentarily disrupt conventional experience of time. Hosu searches for a non-linear present, a space where time is no longer measurable but something we can simply dwell within. Recently, he has been exploring sound and synthesizer as primary forces that can reshape our sensuous reality.